The Criterion Collection
Apr 26, 2010 — In the late 1940s, driven by the opening-night ovations for A Streetcar Named Desire, Tennessee Williams embarked on more than a decade of immense success. During this period, he wrote at a furious pace: Summer and Smoke, The Rose Tattoo,...
Mar 17, 2010 — 1. A Park—Night A man aflame is running directly toward camera. This image, which comes from Nicholas Ray’s initial treatment for Rebel Without a Cause, might stand at the head of almost any of Ray’s movies, since it so clearly...
May 20, 2009 — The title alone screams incongruity. Shohei Imamura’s 1961 black-and-white caper movie Pigs and Battleships bursts with the confusion and exuberance of a cross-cultural encounter. In its lively portrayal of enthusiastic Japanese locals welcoming the U.S. Navy on R&R to the...
Jun 27, 2005 — Ko Nakahira’s Nikkatsu Studio youth flick helped transform postwar Japanese cinema.
Jan 10, 2005 — Seijun Suzuki made a breakthrough with his second feature, a yakuza thriller full of devil-may-care assurance and try-anything imagination.
Essays
Aug 28, 2000 — In what is arguably his most popular and enduring feature, W. C. Fields nails the American tendency to inflate one’s importance.
Essays
Sep 27, 1999 — In And the Ship Sails On, I needed a large exterior to paint, so I used the wall of the Pantanella pasta factory. It was where my father, Urbano Fellini, had worked when he passed through Rome on his way...
Essays
Mar 30, 1992 — John Schlesinger’s controversial masterpiece made moviegoers squirm with its bold, bleak portrayal of unrequited love, gay and otherwise, and it remains as jolting and thought-provoking as ever.
Essays
Oct 31, 1988 — This ingenious and entertaining crime thriller marks what its director Stanley Kubrick would like to think of as the real beginning of his career.
Aug 27, 2013 — Ernst Lubitsch’s World War II–era high-wire act is a profound take on the absurdity cruelty of civilization and a perfect black comedy to boot.