The Criterion Collection
Jul 13, 2022 — Martin Scorsese’s long-gestating boxing opus—one of the last films on which he enjoyed unequivocal studio support—emerged from a Hollywood in transition.
Essays
Jul 12, 2022 — In David Lean’s Venice-set romance, a fleeting love affair prompts a woman’s self-exploration.
The Daily
Jul 8, 2022 — This week: Juliette Binoche’s work with Krzysztof Kieślowski and Claire Denis, post-Berlin School German cinema, and Tom Cruise’s “immaculate superstardom.”
Essays
Jul 5, 2022 — Bong Joon Ho’s fantasy blockbuster explores the follies of global capitalism through the lens of the meat industry—and a young girl and her “superpig” best friend.
The Daily
Jun 23, 2022 — Along with celebrations of Dario Argento and George A. Romero, the season brings a series of more than a hundred nightmares.
Essays
Jun 21, 2022 — By centering an empowered Black hero, Gordon Parks reimagined the detective genre and exposed its racial politics.
The Daily
Jun 15, 2022 — The late actor will be remembered for his work with Robert Altman, Paul Thomas Anderson—and Jerry Seinfeld.
The Daily
Jun 8, 2022 — Tough choices will face attendees from today through June 18.
The Daily
Jun 2, 2022 — Along with a fresh round of new issues from film journals, we’re reading about Mike Leigh, Juliet Berto, Julie Dash, and Clint Eastwood.
Jun 1, 2022 — With his love of dissonance and bold use of dramatic motifs, the Hungarian-born composer Miklós Rózsa popularized a whole new style of film music.