The Criterion Collection
Sep 17, 2024 — A vision of late-1970s London that foreshadows the political volatility of the Margaret Thatcher era, this gangster saga stars an unforgettably tempestuous Bob Hoskins as a little Englander with big dreams.
The Daily
Sep 13, 2024 — Will we ever see Ezra Edelman’s Prince documentary? Plus Chantal Akerman, Demi Moore, and the waning of “elevated horror.”
Sep 10, 2024 — Andrew Haigh explores loss and queer loneliness in this exquisite, twilit tangle of lives and loves separated by space, time, and personal defenses.
The Daily
Sep 4, 2024 — The festival launched RaMell Ross’s Nickel Boys and brought in a slew of critical favorites fresh from their premieres in Venice.
The Daily
Sep 3, 2024 — The Room Next Door, The Brutalist, and Babygirl are met with both wild enthusiasm and serious reservations.
Aug 28, 2024 — United by a meditative approach that captures the spiritual bounty of the natural landscape and the tolls of physical labor, this Mexican director’s films challenge stereotypical depictions of his country’s rural communities.
The Daily
Aug 28, 2024 — Critics look ahead to their most-anticipated films in Venice, the festival that kicks off the season.
Aug 27, 2024 — A brilliant satire, inspired by a 1973 PBS documentary series that gave rise to the reality-television genre, Albert Brooks’s first feature film examines the ethical dilemmas of combining cheap entertainment and sociological experiment.
Aug 20, 2024 — In the late 1980s, filmmakers Gregorio Rocha and Sarah Minter set out to capture the rebellious subculture of youth in Ciudad Nezahualcóyotl, a slumlike suburb synonymous with the worst failures of urban expansion in Mexico.
The Daily
Aug 16, 2024 — With her partner, John Cassavetes, Rowlands made some of the most vital and alive films in all of American cinema.