All Night Long

May 22, 2024 — Critics in Cannes warmly welcome Rumours, Christmas Eve in Miller’s Point, and Eephus.

May 21, 2024 — The Senegalese filmmaker’s steadfast devotion to African autonomy led him to become a foundational contributor to the hard-won, dynamic flourishing of an independent cinematic tradition on his home continent.

May 21, 2024 — The reviews are in for Caught by the Tides, Emilia Pérez, and The Substance.

May 14, 2024 — Few filmmakers had a greater impact on the shape and direction of American cinema in the 1960s and ’70s.

May 6, 2024 — Perhaps the most hard-to-categorize of the great Hollywood studios came into its own with a string of critically acclaimed films based on popular books and plays, including Born Yesterday, A Raisin in the Sun, and From Here to Eternity.

Apr 11, 2024 — Anticipation builds for new work from Jia Zhangke, Francis Ford Coppola, Andrea Arnold, and David Cronenberg.

Apr 3, 2024 — This year’s edition is bookended by two very New York movies.

Mar 25, 2024 — What makes a “bad” movie anyway? By surveying the bombs, disasters, and secret masterpieces (dis)honored at the Golden Raspberry Awards, we can learn much about American cinema’s prevailing standards of taste.

Mar 20, 2024 — Ryan Clarke and S*an D. Henry-Smith—two curators behind New York City’s premier Black electronic music festival—talk about the films they selected for Radical Dreams, Underground Sounds, a collection now playing on the Criterion Channel.

Mar 13, 2024 — This year’s edition opens with Amrou Al-Kadhi’s Layla, and Elliot Page will be on hand to talk about Close to You.