The Criterion Collection
Essays
Nov 22, 2016 — The result of a notoriously troubled production, Marlon Brando’s unorthodox western presents a brooding vision of human futility.
Nov 22, 2016 — This month, we’ve brought two new Criterion editions to the United Kingdom: Akira Kurosawa’s Dreams, a visually sumptuous showcase of the Japanese master at the height of his imaginative powers, and Punch-Drunk Love, Paul Thomas Anderson’s deliriously eccentric take on...
Nov 21, 2016 — By turns hilarious and heartrending, The Squid and the Whale is one of Noah Baumbach’s most autobiographical works. Rooted in his experiences growing up in a hyperliterate household in 1980s Park Slope, this ensemble comedy captures the tempestuous dynamics between...
Nov 18, 2016 — For Film Comment, Marc Walkow surveys the career of director Tomu Uchida, currently the subject of a retrospective at the Museum of Modern Art. Like many commercial Japanese directors of his era, Uchida has long been underappreciated in the West,...
Short Takes
Nov 18, 2016 — Artists across all mediums have long been obsessed with the challenge of evoking dream states, but film—with its oneiric combinations of light and shadow, and its ability to manipulate time and space—has particularly uncanny access to our nighttime reveries. Whether...
On the Channel
Nov 18, 2016 — Tonight we salute the unique gifts of actor and monologue artist Spalding Gray, whose solo performance pieces inspired soaring flights of cinema like Jonathan Demme’s Swimming to Cambodia and the two Steven Soderbergh films that make up our double bill....
In Theaters
Nov 17, 2016 — French cinema icon Isabelle Huppert takes the spotlight this weekend, as New York City’s Metrograph theater launches a mini-retrospective of her four-decade career.
Nov 16, 2016 — The joy of new love collides with the anxieties of everyday life in Paul Thomas Anderson’s off-kilter foray into romantic comedy.
On the Channel
Nov 15, 2016 — This week’s Short + Feature program on the Criterion Channel pairs D.A. Pennebaker’s three-minute experimental Daybreak Express and Ronald Neame’s feature comedy The Horse’s Mouth.
Short Takes
Nov 14, 2016 — From the delicate natural lighting in Jacques Demy’s Lola to the breathtaking widescreen Technicolor in Jean-Luc Godard’s Pierrot le fou, the late cinematographer Raoul Coutard’s most indelible images remain hallmarks of modern French cinema. In his memory, we’ve gathered a...