Aug 30, 2016 Set in nineteenth-century Macao, Orson Welles’s adaptation of a classic tale by Isak Dinesen is a hypnotic meditation on the pitfalls of storytelling.

Aug 26, 2016 ClippingsLast weekend, in conjunction with his new album, Blonde, musician and noted cinephile Frank Ocean released a limited-edition zine titled Boys Don’t Cry, which featured a list of his favorite films. Chungking Express, Eraserhead, Blood Simple, Solaris, Paris, Texas, and...

Aug 26, 2016 1. Director Tony Richardson selected Rita Tushingham for the lead role of Jo after auditioning two thousand young women. A Taste of Honey marked Tushingham’s screen debut, and while her performance went on to win the best actress award at Cannes in...

Aug 23, 2016 Tony Richardson’s era-defining exploration of sexuality, race, and working-class life brought a uniquely female perspective to England’s Free Cinema movement.

Aug 23, 2016 In honor of the filmmaker, who passed away in 2016 at the age of ninety-two, Alan Arkin recalls the man who directed him in two of his favorite films, Popi and The In-Laws.

Aug 22, 2016 “I’ve never made any secret of the fact that at least 50 percent of my reason for writing can be blamed on Shelagh Delaney,” the singer-songwriter once said. Gathered here are some of his most prominent references to the English...

Aug 19, 2016 Stig Björkman’s intimate documentary Ingrid Bergman: In Her Own Words illustrates the actor’s private and professional life through selections from home movies, letters, and photographs.

Aug 18, 2016 Beloved Hollywood veteran Arthur Hiller passed away yesterday at the age of ninety-two. In a career that spanned five decades and more than thirty films, he demonstrated remarkable versatility, with credits ranging from Neil Simon comedies (The Out-of-Towners, Plaza Suite)...

Aug 17, 2016 The director of Morris for America, a poignant coming-of-age tale about a thirteen-year-old boy and his widowed father, talks about his eclectic inspirations and unique approach to movie watching.

Aug 16, 2016 Stig Björkman’s candid documentary gathers a wealth of material from Ingrid Bergman’s personal archive, revealing the star as a fastidious collector of her own memories.

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