The Criterion Collection
Essays
Jan 10, 2000 — The Night Porter is a provocative and problematic film. Made in 1974 by Italian director Liliana Cavani, it can be seen as an exercise in perversion and exploitation of the Holocaust for the sake of sensationalism. On the other hand,...
Nov 19, 1992 — In Hieronymous Karl Friedrich, Baron von Munchausen, the greatest liar in history outside of politics, director Terry Gilliam has found perhaps his closest fictional counterpart.
The Daily
Nov 16, 2023 — A new restoration of beguiling 1970 oddity opens this weekend in cities across the country.
Feb 16, 2004 — In this quintessential noir, Samuel Fuller breaks with the Red Scare formula of his contemporaries by contrasting the faceless evil of Communism against the peccadilloes of the workaday American crook.
The Daily
Apr 12, 2023 — The focus this year is on the hundredth anniversary of Warner Bros.
Short Takes
Mar 29, 2011 — Attention, all debutantes, disco lovers, and urban haute bourgeoisie: the first film in well over a decade from Whit Stillman—whose comedies of manners Metropolitan and The Last Days of Disco are available from the Criterion Collection, and who discusses his...
The Daily
Jan 14, 2021 — Film About a Father Who is the centerpiece of this month’s virtual retrospective.
May 9, 2018 — In this followup to Embrace of the Serpent, a mob story is interwoven with Wayúu Native American rituals.
The Daily
May 8, 2023 — A new film by the late director is the clear highlight of this year’s Cannes Classics program.
The Daily
Oct 6, 2021 — A rediscovered anti-fascist short is among the highlights of this year’s program of restorations and revivals.