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Feb 11, 2015 — With its provocative ambiguities, tender compassion, and fragmented editing style, this supernatural classic is a pure dose of Nicolas Roeg.

Feb 10, 2015 — The late film scholar beautifully analyzes the visual lyricism of the French master’s legendary short work.

Feb 4, 2015 — Isabelle Huppert was a rising star when Jean-Luc Godard cast her in the part of prostitute Isabelle Rivière in his 1980 film Every Man for Himself. In this excerpt from a new interview with Huppert on our release of the...

Jan 27, 2015 — Guy Maddin’s current filmmaking partner, the also Winnipeg-based Evan Johnson (with whom Maddin directed his upcoming feature, The Forbidden Room), created four original short “cine-essays” as supplements for Criterion’s release of Maddin’s My Winnipeg. Below is one of them, titled...

Jan 26, 2015 — Scenes without endings, sounds without corresponding images, actions without seeming motivation—Lucrecia Martel’s sense-heightening debut offers a cinema of subtraction.

Jan 21, 2015 — Money can’t buy love and happiness in Preston Sturges’s classic comedy—or can it?

Jan 14, 2015 — The writer remembers two New York film figures.

Jan 14, 2015 — Legendary German-born cinematographer Michael Ballhaus (Broadcast News, The Last Temptation of Christ, Goodfellas) broke through in film working with Rainer Werner Fassbinder. After shooting Whity and Beware of a Holy Whore for the filmmaker, Ballhaus was enlisted to visualize The...

Jan 13, 2015 — Rainer Werner Fassbinder’s characters play an endlessly layered game of dress-up in this tale of sadomasochistic love.

Jan 12, 2015 — The author remembers the late filmmaker.