In Time

Mar 18, 2003 — Director William Dieterle’s 1941 film adaptation of Stephen Vincent Benét’s short story “The Devil and Daniel Webster” is a melodramatic fever dream, a hallucinatory tour de force.

Sep 23, 2002 — The theatricality of Alfred Hitchcock’s thriller makes the point that psychoanalysis is a sister to cinema rather than a rival.

Sep 23, 2002 — In 1940 and 1941, David O. Selznick won back-to-back Academy Awards for Best Picture. In 1942, unsurprisingly, he was depressed. His wife, Irene, persuaded him to seek help, and, less than one year later, hale and hardy, he was eager...

Sep 23, 2002 — Anticipating reality TV, Rémy Belvaux’s faux cinema verité satire follows a film crew documenting a mass murderer’s rampage.

Sep 23, 2002 — René Clair’s early sound film is an iconic vision of lower-class Paris bursting with charm and romance.

Aug 19, 2002 — Ronald Neame’s dramedy has the distinction of being the only “feel-good” realistic spy film ever made, walking a fine line between topicality and escapism.

Jun 24, 2002 — Oscar Wilde’s play is brought to the screen lovingly and meticulously by one of the great eccentrics of the British cinema, Anthony “Puffin” Asquith.

Nov 19, 2001 — Luis Buñuel’s drama is a seductive work that exemplifies, even as it studies, the perversity of human desire.

Aug 20, 2001 — Preston Sturges’s generous-hearted satire achieves a synthesis that is both terribly funny and deeply moving.

Aug 20, 2001 — Director Torben Skjødt Jensen discusses the "three aesthetic levels" with which he approaches his documentary portrait.