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White Lies

May 30, 2017 Now that the Cannes Film Festival has wrapped, we’ve got some catching up to do. Let’s begin with Scout Tafoya’s report for the Village Voice on a recent symposium “on film criticism and scholarship commemorating the legacy of German film...

May 19, 2017 Let’s open today’s round of interviews with one from the archives, a conversation with Michelangelo Antonioni that originally ran in Corriere della Sera in 1982 but evidently took place during the final stages of shooting Blow-Up (1966). It’s been translated...

Apr 21, 2017 George Stevens’s Oscar-winning comedy captures the first sparks of attraction that ignited one of the great on- and offscreen romances in Hollywood history.

Apr 2, 2017 What defines noir acting? In her latest Dark Passages column, Imogen Sara Smith examines the stylistic variety in some of the genre’s most iconic male performances, including Burt Lancaster in The Killers and Ralph Meeker in Kiss Me Deadly.

Aug 14, 2016 While considered to lie outside the highly policed boundaries of film noir, films like Douglas Sirk’s Written on the Wind and Powell and Pressburger’s The Red Shoes nevertheless share many of noir’s stylistic and thematic tropes.

Jul 21, 2016 Interweaving wartime footage with haunting images of abandoned concentration camps, Alain Resnais’s breakthrough was one of the first films to confront the ravages of the Holocaust.

Jul 19, 2016 Time is both inescapable and irretrievable in Alain Resnais’s boldly disorienting masterpiece, which stars Delphine Seyrig as a widow haunted by her memories of World War II.

Mar 17, 2016 Decades later, Ingmar Bergman’s self-reflexive masterpiece remains a provocative enigma worthy of close investigation.

Oct 9, 2015 Guy Maddin and his filmmaking partner Evan Johnson dropped by the Criterion kitchen to talk about their new film, The Forbidden Room.

Aug 25, 2015 In Jean-Pierre and Luc Dardenne’s moving and humane critique of capitalism, true interpersonal communication is the only thing that can save us.

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