The Pack

Feb 14, 2018 — Until the Oscars are presented on March 4, it’s not yet too late to be looking back at the best of 2017. The Village Voice has polled over a hundred critics, and Phantom Thread has come out on top with...

Feb 2, 2018 — Opening today at the Film Society of Lincoln Center, Iranian master Abbas Kiarostami’s final film, 24 Frames, is a subtle meditation on time and perception.

Sep 30, 2017 — Serge Bozon’s Mrs. Hyde premiered in Locarno in August, when we gathered a first round of reviews. It screens once more tomorrow (October 1) as part of the New York Film Festival’s Main Slate, and Bozon and his star, Isabelle...

Jul 17, 2017 — We begin this round in the UK because, starting Friday, Park Circus is putting Basil Dearden’s Victim (1961) back in theaters, “marking 50 years since the Sexual Offences Act 1967 initiated a major development of the country's human rights legislation...

Jul 11, 2017 — Let’s begin today with the listening and viewing tips, because New York Times film critic Manohla Dargis is Peter Labuza’s guest on The Cinephiliacs (85’38”). Among the topics discussed are “her childhood movie love of watching objects without inhibition and...

Jun 6, 2017 — Combining sardonic humor with poignant characterizations, this cult comedy explores the discontents of two high-school graduates adrift in strip-mall America.

May 25, 2017 — “Leave it to Kiyoshi Kurosawa, our favorite director of B movies that look like art films (or are they the other way around?), to upturn the nostalgia for American blockbusters of the 1980s,” begins Daniel Kasman in the Notebook. “Japan’s...

May 2, 2017 — It was a cold January morning, with biting winds coming off the Seine, when I stopped by the Librairie du Cinéma du Panthéon during a break from working on our upcoming release of Marcel Pagnol’s Marseille Trilogy. This film-specialty bookstore...

Dec 18, 2016 — Imogen Sara Smith examines the tensions between tradition and modernity reflected in two silent crime films by Yasujiro Ozu and Tomu Uchida.

Dec 6, 2016 — Photo by Janet Pierson In the late eighties and early nineties, American independent film was coming into its own both artistically and commercially, and John Pierson was at the center of the movement. Once described by the New York Times...