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The Guardian

Mar 29, 2019 Fresh assessments of the work of Chris Marker and Stanley Kubrick, an interview with Kent Jones, and that stellar year for American cinema, 1999.

Aug 31, 2018 And a pillar of American film criticism falls.

Nov 19, 2008 My first trip to Paris took place inside the darkened cafeteria of Warnsdorfer Elementary School in East Brunswick, New Jersey. A few times each year, the entire student body was brought together to watch movies cast from a rickety 16...

Oct 8, 2024 An otherworldly exploration of the realm between life and death, this horror masterpiece transcends its genre with its poetic, often unsettling use of fragmentation and discontinuity.

Nov 1, 2022 In one of the most incendiary and formally experimental films of the Czechoslovak New Wave, two mysterious young women uncover humanity’s endless potential for revolt.

Jul 27, 2020 The first shot of Atom Egoyan’s 1984 debut feature, Next of Kin, is a ground-level pan across the baggage claim section at Toronto’s Pearson Airport. The camera is angled so that our gaze is on the various pieces of luggage...

Feb 11, 2020 The universal success of Alfonso Cuarón’s Roma is undoubtedly due to a skill that the director has demonstrated over the course of several decades and many enduring pieces of work. But it is also a sign of our times. What...

Aug 9, 2018 An annual destination for cinephiles from around the world, this film festival in Bologna is a magical place to discover the richness of cinema’s past.

Jul 19, 2004 Marcel Carné's third feature is as epochal as any film made in France in the 1930s, exemplifying the style known as “poetic realism.”

Jun 16, 2008 Decades later, we’ve come to understand that Claude Sautet’s film—in a less gaudy and obvious, more secretive, insidious way—was just as revolutionary as Breathless.

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