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The Disco

Jan 10, 2005 Seijun Suzuki's penultimate film for Nikkatsu is a subversively funny account of the making of a model fascist.

May 24, 2004 Stray Dog, the ninth film directed by Akira Kurosawa, is a detective story that’s also meant to function as a commentary on the desperate social conditions of postwar Japan: a kind of neorealist cop movie.

Sep 23, 2002 The theatricality of Alfred Hitchcock’s thriller makes the point that psychoanalysis is a sister to cinema rather than a rival.

Umberto D.

Essays

Mar 5, 1990 Vittorio De Sica’s neorealist masterwork is one of the greatest portraits of old age and loneliness ever brought to the screen.

Apr 4, 1988 Back in 1968 when The Producers made its debut, writer-director Mel Brooks was better known within the entertainment industry than by the public at large. His writing for Sid Caesar’s Your Show of Shows and the Get Smart television series,...

Sep 26, 2023 Brett Morgen’s portrait of David Bowie is a free-associative hybrid of pop history and imaginative extravaganza—impressionistic, eclectically allusive, and, above all, immersive.

Apr 19, 2022 Vittorio De Sica’s neorealist fable deploys barbed humor and surreal flourishes to depict class solidarity and human kindness in postwar Italy.

Sep 22, 2021 Writer-director John Huston blasted the fusty pieties that pervaded big-studio filmmaking in the post-Code era, whether as the progenitor of film noir with The Maltese Falcon (1941) or the brainy daredevil who threaded critiques of frontier capitalism, gold lust, and...

Jan 26, 2021 I stumbled onto Will Niava’s debut short film, Zoo, via a still I saw online: a close-up of a young man’s face under blue neon, framed by cigarette smoke. Curious about this striking image, I tracked down the film and...

Nov 17, 2020 Cinematographer Shabier Kirchner is having quite the year, with the rapturous reception of his work on Steve McQueen’s Small Axe films, which played at New York Film Festival and will launch on Amazon this Friday. Prior to this breakthrough, he’s...

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