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The Country Girl

Feb 17, 2010 The organizers of All Tomorrow Parties in New York have tapped Jim Jarmusch to be a guest curator at this year’s event. The independent music festival (which for the last couple of years has featured a venue for screenings of...

Sep 29, 2003 In May 1981, in the midst of shooting Lola, Rainer Werner Fassbinder sketched out his next film project: Sybille Schmitz. On the cover, he had written, “Story for a Feature Film*.” The asterisk pointed to this footnote: “It is possible...

Oct 4, 2011 Pier Paolo Pasolini’s work demonstrates an aversion for the present while simultaneously suggesting the impossibility of escaping it, and thus the need to confront it.

True/False 2026

The Daily

Mar 4, 2026 Twenty-one world premieres, several critical favorites from Sundance, and the True Vision Award for Ross McElwee.

Oct 9, 2019 The Internet’s hardcore feline obsession may seem harmless, but is there something darker at play behind the millions of memes and GIFs it generates, or the eager crowds who gather to meet online animal celebrities like Grumpy Cat (R.I.P.)? In...

Apr 21, 2022 In 1948, leftist filmmaker Leo Hurwitz directed a documentary whose title summed up the uncertainty of its moment: for America’s antifascists, the end of the Second World War was a Strange Victory indeed. Using newsreels from the war’s front lines,...

Nov 21, 2017 Ernst Lubitsch’s “world is defined by time as much as place,” writes Daniel Witkin in the latest entry in Reverse Shot’s symposium on time. “Anachronistically straddling the 19th and 20th centuries, his characters embody unfashionable virtues of discretion and tact...

Nov 15, 2016 Akira Kurosawa lays bare his deepest fears in this visually astonishing interpretation of folklore, myth, and the director’s own dreams and memories.

Nov 17, 2014 Claudette Colbert and Clark Gable’s effortless banter is pure magic, but Frank Capra’s comedy is rooted in the reality of the times.

Nov 19, 2007 Akira Kurosawa explores criminal machismo in his seventh film, which he felt was his official breakthrough in Japanese cinema.

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