Seven

Oct 23, 2020 — A new Senses of Cinema, free access to the NYRB archive, and the return of drive-in theaters are among this week’s highlights.

Oct 22, 2020 — 1.     Jimmy Ringo, the protagonist of the 1950 western The Gunfighter, is based on real-life nineteenth-century outlaw John Peters Ringgold, better known as Johnny Ringo. One of Tombstone, Arizona’s most notorious gunslingers, he also served as the model for the...

Oct 20, 2020 — Despite the preponderance of tales of coming of age and sexual awakening in American independent cinema, it’s still rare to encounter a movie that deals with experiences of intimacy between young LGBT characters in a way that feels honest, candid,...

Oct 13, 2020 — I know I need somethingOr someone. From “Cotton Candy on a Rainy Day” (1978), by Nikki Giovanni While the screen is still dark, Gladys Knight’s voice drifts in, in a strong, sincere belt: “How can I / Work out this...

Oct 13, 2020 — Some critics are amused, others aren’t, but everyone agrees that Michelle Pfeiffer is outstanding.

Sep 30, 2020 — Genre fans rejoice! October kicks off with a ’70s Horror series and the head-spinningly eclectic films of the New Korean Cinema.

Sep 30, 2020 — Martin Scorsese’s World Cinema Project No. 3 Pixote (1980), subtitled A lei do mais fraco (The Law of the Weakest), a hard-hitting tale of urban street children and their daily battle for survival in brutal conditions, was the Argentine-born Brazilian...

Sep 29, 2020 — Martin Scorsese’s World Cinema Project No. 3 What can it mean for cinema to be revolutionary? Answering a version of this question in a 1977 interview, the Cuban filmmaker Humberto Solás stressed the importance of real-world context. In a capitalist...

Sep 24, 2020 — As video games have evolved into a technological and economic behemoth, they have attracted some consumer attention and spending away from movies. In part to appeal to filmgoers accustomed to the high production values of the big screen, large-budget games...

Sep 18, 2020 — The late scholar Robert Bird’s final essay on Tarkovsky and fresh writing on Béla Tarr, Eric Rohmer, and more are among this week’s highlights.