The Criterion Collection
The Daily
Feb 22, 2018 — Luis Buñuel was born on this day, February 22, in 1900. “By 1961, Buñuel was born again, so to speak,” writes Jeremy Carr, having sketched the career from Un chien andalou (1929) and L'âge d'or (1930) through the years in...
The Daily
Feb 19, 2018 — New York. Anthology Film Archives’ series Documentarists for a Day runs for two more nights, and Screen Slate is spotlighting the two films screening tomorrow. Theater in Trance (1981) is the only documentary Rainer Werner Fassbinder made. Angeline Gragásin: “Comprised...
Feb 14, 2018 — With her acclaimed new film Western opening in theaters this week, we spoke with German director Valeska Grisebach on the romantic ideals of the quintessential American genre.
The Daily
Feb 9, 2018 — Catching up with notable recent interviews, we naturally have to begin with the one that’s sparked so much crossfire for a full week now. Last October, Uma Thurman declined to comment on the #MeToo movement because “when I have spoken...
The Daily
Feb 7, 2018 — Last week, the SXSW Film Festival presented 132 features lined up for its 2018 edition running from March 9 through 18. Today, the festival announces that Wes Anderson’s Isle of Dogs will be this year’s Closing Night Film—and it’s added...
The Daily
Feb 5, 2018 — The World of Apu is a new multi-lingual, bimonthly online film magazine whose first issue appeared last November. The new second issue features Rafaella Britto on Satyajit Ray’s “most gloomy film,” The Goddess (1960), K Balamurugan on Shanjey Kumar Perumal’s...
Essays
Jan 30, 2018 — In his first sound film, silent-era master G. W. Pabst captures both the familial camaraderie and everyday brutality of life in the trenches.
The Daily
Jan 28, 2018 — The Sundance Film Festival has presented this year’s round of awards, and on that page you’ll find the descriptions that have tagged along with each title since the day it was announced as part of the lineup. Below, you’ll find...
Jan 23, 2018 — Made during the German occupation of France, these beguiling films showcase Claude Autant-Lara at the height of his powers.
Jan 20, 2018 — We begin with April Wolfe, writing for Film Comment and introducing us to Maxim Pozdorovkin and Our New President, which “tells a thrilling, scary, mind-bending, and often-hilarious story of Russian propaganda’s role in the 2016 U.S. presidential election, constructed almost...