The Criterion Collection
Essays
Jul 1, 2025 — Made nearly two decades into Fritz Lang’s Hollywood career, this brutal noir is designed for maximum velocity and impact, eschewing the director’s accustomed flourishes in favor of a stark literalness.
Essays
Jun 24, 2025 — The product of a famously tumultuous production, William Friedkin’s nerve-jangling adaptation of the classic suspense novel The Wages of Fear infuses the mechanics of genre with rough-hewn realism and the New Hollywood’s renegade spirit.
The Daily
Jun 17, 2025 — Authors address overt and covert queer cinema, the avant-garde, and AI; plus notes on new collections and entire filmographies.
Essays
Jun 17, 2025 — Mitchell Leisen’s marvelously chic and brilliantly constructed screwball classic revolves around a heroine who flounders through a succession of complications but always manages to come out ahead.
The Daily
Jun 11, 2025 — Acropolis Cinema presents the LA premiere of The Damned and the world premiere of a new restoration of The Passage.
May 27, 2025 — A landmark of independent cinema, Charles Burnett’s debut feature captures daily life in Watts, Los Angeles, with a depth and precision that evokes the history of Black American music.
The Daily
May 22, 2025 — The jury honors tales of haunted appliances, an exiled community, and a life-changing diagnosis.
May 21, 2025 — The exiled American director of Try and Get Me! and Hell Drivers depicted crime and violence as the inevitable results of capitalist competition.
May 20, 2025 — A film about and against everything, this astonishingly original comedy attacks Big Brother, the bomb, and the incipient collapse of our planetary ecosystem, along with the lies that stop us from recognizing all of the above.
The Daily
May 13, 2025 — Here’s a sampling of what we can look forward to in each of the festival’s programs.