The Criterion Collection
Sep 28, 2022 — A high point of early Argentine cinema, Mario Soffici’s 1939 film about the plight of plantation workers is an unflinching examination of exploitation and violence.
The Daily
Sep 19, 2022 — Let’s have a look at the award-winners and critical favorites.
The Daily
Sep 15, 2022 — Spielberg finally tells the story that has shaped so many of his films, and critics are loving it.
Essays
Sep 13, 2022 — Sean Baker and Shih-Ching Tsou’s portrait of an undocumented Chinese immigrant working in New York City captures a suspenseful human drama with a DIY, documentary-like approach.
The Daily
Sep 12, 2022 — Laura Poitras, Alice Diop, Luca Guadagnino, and Martin McDonagh win top awards in Venice.
Features
Sep 9, 2022 — James Wong Howe was a fighter, and he learned how to be one over the course of a turbulent upbringing. Born Wong Tung Jim in 1899, in the Chinese province of Guangdong, the man who would become one of the...
The Daily
Sep 8, 2022 — All the Beauty and the Bloodshed is the only nonfiction film competing in Venice—and Werner Herzog and Mark Cousins remain as busy as ever.
The Daily
Sep 7, 2022 — The first reviews are in for new films by Martin McDonagh, Joanna Hogg, Emanuele Crialese, and Koji Fukada.
The Daily
Sep 6, 2022 — Here’s an overview of how some of the contenders are faring with critics in Venice.