Back To Search

In the Name of the Father

Jan 20, 2015 Here he is: the real, unreal Guy Maddin, in his phantasmagorical, polymathic stew of sex, memory, and dreams.

Noir by Gaslight

Features

Oct 4, 2023 Night has fallen in London, but the streets still teem with people. Through a second-story window, we watch as an elderly Jewish man who lives over a shop is stabbed to death and his rooms are set on fire. We...

Mar 29, 2022 About half an hour into love jones, Theodore Witcher’s romance from 1997 starring Larenz Tate and Nia Long, the two main characters amble along a Chicago block as raindrops fall, soft but insistent. The colors are warm, naturalistic—browns, mauves, and...

Dec 12, 2019 Almost from the moment it arrived on screens in early 2006, Kelly Reichardt’s Old Joy was celebrated as a new milestone for American cinema, even an expression of independent filmmaking’s delayed arrival at maturity. In relating its deceptively simple tale...

Jul 28, 2021 The Contemporary World Cinema and Discovery programs are set, and the festival has added new gala and special presentations.

Mar 5, 2021 This week offers a new magazine, conversations with Guy Maddin and the great women filmmakers of the 1970s, and a new restoration of a Hong Kong classic.

Oct 9, 2015 Guy Maddin and his filmmaking partner Evan Johnson dropped by the Criterion kitchen to talk about their new film, The Forbidden Room.

Sep 18, 2006 Nobuo Nakagawa’s legendary, genre-­busting Japanese masterpiece explores the infernal desires that tempt us during our mortal existence—and the afterlife agonies awaiting those who succumb.

Dec 4, 2024 Before she won acclaim as a pioneering director, the Hollywood icon made her name as a powerfully vivid actor who brought grit and toughness to films by such masters as Raoul Walsh, Nicholas Ray, and Michael Curtiz.

Dec 11, 2015 With his singular and unwavering style, Japanese director Yasujiro Ozu disregarded the established rules of cinema and created a visual language all his own. Precise compositions, contemplative pacing, low camera angles, and elliptical storytelling are just some of the signature...

Current Page
50
of 51

You have no items in your shopping cart