Hit Man

May 23, 2018 — About halfway through Cristian Mungiu’s Graduation (2016), Dr. Romeo Aldea (Adrian Titieni) finds himself in a patch of woods in the middle of the night, crying. It’s a surprisingly vulnerable moment for a protagonist who is usually all business. We’re...

Apr 20, 2018 — Krzysztof Zanussi is currently in post-production on Ether, “a psychological drama with a Faust-inspired motive, set at the beginning of the 20th Century in Galicia, about a military doctor experimenting with science in order to get power over people,” reports...

Apr 16, 2018 — Following lineup announcements from the Cannes Film Festival and Critics’ Week, the Quinzaine des Réalisateurs, or Directors’s Fortnight has presented the slate for its fiftieth edition, running from May 9 through 19. “As per the tradition of the parallel section,”...

Apr 9, 2018 — Ingrid Bergman’s work in her native Sweden was an early showcase for her dazzlingly precocious talent and emotional depth.

Apr 5, 2018 — Locarno in Los Angeles, the series curated by Acropolis Cinema founder Jordan Cronk and co-artistic director Robert Koehler that brings a batch of the best films screened last summer at the increasingly vital Swiss festival, opens today and runs through...

Apr 5, 2018 — “Just a few years in and DOC10 is already a must-hit stop on the festival circuit for the year’s best documentaries,” writes Lisa Trifone in the Third Coast Review. “The brainchild of Chicago Media Project and head programmer Anthony Kaufman,...

Apr 3, 2018 — A little over a month ago now, we posted Marvel mon amour, a video by Daniel Raim in which Stan Lee looked back on working with his good friend Alain Resnais (above with Olga Georges-Picot in Cannes in 1968) on...

Apr 1, 2018 — Empire has been rolling out interviews from its “Spielberg Takeover” issue, the one with five different covers, including a podcast (102’01”) that’s naturally not part of the print version, in which contributors talk with Steven Spielberg himself and with Simon...

Mar 20, 2018 — Graphic artist and filmmaker Sam Ashby, whose short The Colour of His Hair is featured on the Criterion Channel this week, speaks with us about a turbulent moment in UK queer history.

Mar 1, 2018 — “His face did something to me. Or, rather, the film, with its compassion and its utterly jarring ending, which I won’t give away, did something to me. But, then again, you could also say that, in some sense, the film...