Good Time

Mar 28, 2025 — The week brings new issues of Film Quarterly and Cineaste and conversations with Michael Mann and Miguel Gomes.

Mar 25, 2025 — Set in a grimy, unglamorous version of Los Angeles, Arthur Penn’s Watergate-era neonoir tells the story of an honorable private eye acutely conscious of living in an era that is the mere shadow of a nobler past.

Feb 28, 2025 — We’ve gathered some of the best writing on each of the nominees for Best Picture Oscar.

Feb 19, 2025 — Gus Van Sant’s lyrical exploration of addiction and faith—adapted from an autobiographical novel by James Fogle—influenced cinematic drug depictions throughout the nineties and helped to initiate a wave of American independent filmmaking.

Feb 19, 2025 — Following its wildly successful launch at the New York Film Festival and a Brooklyn stop at St. Ann’s Warehouse, the Criterion Mobile Closet is making its first trip outside of New York City this March.

Feb 14, 2025 — On our minds this week: Chantal Akerman, Ang Lee, and Akira Kurosawa.

Jan 30, 2025 — The next four days see the spotlights hit Frederick Wiseman, Jerry Schatzberg, Chantal Akerman, and more.

Jan 28, 2025 — We’re reading about Wes Anderson and David Cronenberg and looking forward to books on David Lynch and Pedro Almodóvar.

Jan 28, 2025 — The first of eight collaborations between actor James Stewart and director Anthony Mann centers on a prize rifle that ends up being both a magical object and a cursed one, sending every man who possesses it to a doomed fate.

Jan 21, 2025 — Lynchian may be impossible to define, but you know it when you see it.