The Criterion Collection
Jul 29, 2024 — Made in an era when self-consciously postmodern takes on the Bard were popular, Gus Van Sant’s melancholy road movie mines the ambiguously queer tensions in the history play Henry IV.
Jul 23, 2024 — Unlike the string of early-1980s sex comedies that it superficially resembles, Paul Brickman’s debut feature fuses fierce social satire and dark, dreamy eroticism with unexpectedly rich and ambiguous results.
Jul 23, 2024 — Chen Kaige’s sweeping epic chronicles the history of twentieth-century China through the story of two childhood friends, contrasting the unchanging traditions of their Beijing-opera milieu with the nation’s swift and turbulent transformation.
The Daily
Jul 22, 2024 — RaMell Ross’s Nickel Boys will open the NYFF, and TIFF and Venice Critics’ Week have unveiled lineups.
The Daily
Jul 19, 2024 — We’re looking back to films by Pakula and Oshima, and from the 1990s, by Claire Denis and Richard Shepard.
On the Channel
Jul 17, 2024 — This month, we’re celebrating the expansive, archetype-exploding films of Paul Thomas Anderson, as well as the career of his frequent collaborator Philip Seymour Hoffman.
Jul 16, 2024 — In one of the most patient films he has ever made, Wim Wenders captures how everyday existence drifts into our dream lives.
The Daily
Jul 9, 2024 — Both Columbia Pictures and Marcello Mastroianni turn 100 this year, and Locarno and Venice are set to celebrate.
The Daily
Jul 8, 2024 — The other big winner in Karlovy Vary is Lilja Ingolfsdottir, whose Loveable takes home five awards.
The Daily
Jul 3, 2024 — Pop Shakespeare, 100 years of Disney, and conversations with Isaac Julien and Steven Soderbergh are among this week’s highlights.