Mar 11, 2020 Two series, one on each coast, and an exhibition celebrate the work of the German filmmaker and photographer.

True/False 2020

The Daily

Mar 5, 2020 One of the most vital showcases of new nonfiction work is now on through Sunday.

Mar 4, 2020 A series in New York celebrates the under-recognized work of Alma Reville and Joan Harrison.

Mar 3, 2020 American cinema is over 125 years old, and African Americans have been a part of it from the beginning. This participation has often been fraught, stymied, and curtailed, but the desire to use motion pictures to craft a self-image has...

Feb 26, 2020 Before making history last year as the first black woman director to compete at Cannes, Mati Diop had been spending the previous ten years articulating her unique vision in a series of five acclaimed short films. The praise Diop has...

Feb 26, 2020 Karel Zeman belonged to an obsessive fringe fellowship of moviemakers that stretched right back to the medium’s first formative days—a lineage of auteurs who believed in cinema as a full-blown daydream machine, capable of realizing inhabitable fantasias. These were filmmakers—practical-effects...

February Books

The Daily

Feb 18, 2020 From the making of Chinatown, through fresh memoirs and ongoing biographies, here’s this month’s overview of new and noteworthy titles.

Feb 3, 2020 Nearly half of the awards presented over the weekend went to female filmmakers.

Jan 29, 2020 It is almost impossible to discuss Sidney Lumet’s Cold War thriller Fail Safe without also considering its more financially successful cinematic foil and fellow 1964 Columbia Pictures release, Stanley Kubrick’s Cold War satire Dr. Strangelove, or: How I Learned to...

Jan 27, 2020 Kirby Dick and Amy Ziering’s On the Record and Kitty Green’s The Assistant explore the “ecosystems of power” that enable abusers.

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