Come inguaiammo l’esercito

May 19, 2023 — In her feature debut, Cette maison, the Haitian Canadian filmmaker develops an ornate and innovative approach to documentary form as she grapples with a painful part of her family history.

May 16, 2023 — New this month: André Bazin in English, the Farrow family, and Tom Hanks’s first novel.

May 16, 2023 — Inspired by golden-age monster movies and the story of a real-life mass murderer, Peter Bogdanovich’s debut feature evokes the psychic dread of America in the 1960s, a decade defined by long-distance and increasingly high-profile gun violence.

May 10, 2023 — The critic and memoirist expands on her 2017 essay “What Do We Do with the Art of Monstrous Men?”

May 5, 2023 — Along with an interview with Straub-Huillet, we’re reading a Taiwanese wuxia primer and assessments of work by Shinji Somai and Apichatpong Weerasethakul.

May 4, 2023 — The Thai artist and director picks ten features to screen alongside his own work in New York.

May 1, 2023 — Start the week with the new Artforum, a groundbreaking film collective, and discussions of exciting new works.

Apr 28, 2023 — One of Britain’s most celebrated playwrights talks about bringing her uncompromising exploration of racism and resistance to the screen.

Apr 26, 2023 — The activist, singer, and actor dealt with stardom on his own terms.

Apr 25, 2023 — In his second Palme d’Or–winning film, Ruben Östlund uses familiar reality-television tropes to stage a deeply unnerving spectacle of obscene wealth and class outrage.