After Death

May 28, 2024 — In Karyn Kusama’s award-winning feature debut, Michelle Rodriguez delivers a smoldering performance as a young woman who finds in boxing a container for her grief, loss, and rage.

May 28, 2024 — With just a few exceptions, critics are generally pleased with this year’s awards.

May 24, 2024 — The week wraps with a new Senses of Cinema, conversations with Ken and Azazel Jacobs and Jamie Nares, and essays on Peter Whitehead and Gillian Armstrong.

May 24, 2024 — During a period of seismic change in U.S. history, the Hollywood studio system began to fracture beyond repair, resulting in a new freedom in how movies explored themes of violence, psychosis, and social breakdown.

May 21, 2024 — The reviews are in for Caught by the Tides, Emilia Pérez, and The Substance.

May 14, 2024 — Despite the harsh critical drubbing it received upon its release in 1960, Michael Powell’s lurid tale of obsession and violence is now widely regarded as a masterpiece—and as a key inspiration for an entire subgenre of “slasher” movies.

May 14, 2024 — Few filmmakers had a greater impact on the shape and direction of American cinema in the 1960s and ’70s.

May 9, 2024 — With his new film slated to premiere in Cannes, Rasoulof faces his harshest sentence yet.

May 8, 2024 — Thelma Schoonmaker brings Michael Powell’s Peeping Tom to the inaugural edition of JBFC Restored and Rediscovered.

May 6, 2024 — Perhaps the most hard-to-categorize of the great Hollywood studios came into its own with a string of critically acclaimed films based on popular books and plays, including Born Yesterday, A Raisin in the Sun, and From Here to Eternity.