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Where the Boys Are

Apr 3, 2018 A little over a month ago now, we posted Marvel mon amour, a video by Daniel Raim in which Stan Lee looked back on working with his good friend Alain Resnais (above with Olga Georges-Picot in Cannes in 1968) on...

Jan 31, 2018 The SXSW Film Festival, whose 2018 edition runs from March 9 through 18, has announced a lineup of 132 features—with more on the way. With descriptions from the festival . . . Narrative Feature CompetitionFamily. Director/Screenwriter: Laura Steinel. When an...

Oct 27, 2017 New York. Hank and Jim, running at Film Forum from today through November 16, is a companion series to Scott Eyman’s new book, Hank and Jim: The Fifty-Year Friendship of Henry Fonda and James Stewart. Today “offers back-to-back Hitchcock movies,”...

Apr 5, 2017 An exhibition in New York showcases the great French filmmaker’s gallery art, ranging from photographic portraits to installations that blend still and moving images.

Mar 17, 2016 Decades later, Ingmar Bergman’s self-reflexive masterpiece remains a provocative enigma worthy of close investigation.

May 20, 2010 Driven to Destruction Nagisa Oshima was a destructive force in Japanese cinema—and he wouldn’t have had it any other way. Intent on exploding taboos and jabbing the eye of the status quo, he created films that leave us with a...

Nov 21, 2005 Akira Kurosawa’s late masterpiece is a tragedy fed by Shakespeare, Noh, and the samurai epic; it shows human brutality, warfare, and suffering as if from the eye of a dispassionate God.

Apr 25, 2017 After a string of ill-fated productions, Francis Ford Coppola channeled his feelings of self-doubt in this deeply personal take on S. E. Hinton’s beloved novel.

Mar 10, 2003 The Swedish director of I Am Curious explains how he fused the themes of eroticism, self-exploration, voyeurism, and nonviolence into a film about the new freedoms of the young. QUESTION: I Am Curious seemed to be a cinematic Tristram Shandy,...

Feb 27, 2024 Hollywood legend Raoul Walsh’s first movie for Warner Bros. is an epoch-spanning tall tale that takes inspiration from the New York City of his childhood and closes out a run of influential gangster films he inaugurated in the silent era.

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