The Criterion Collection
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Aug 4, 2017 — “In an unusual bit of programming synchronicity,” writes Ben Kenigsberg in the New York Times, “IFC Center will show High Plains Drifter—one of Clint Eastwood’s earliest directorial efforts, in which he casts himself as an amoral stranger who agrees to...
The Daily
Sep 22, 2021 — No one’s claiming that Cry Macho is a great movie, but plenty are moved to reflect on what Eastwood has meant to us over all these years.
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Jan 26, 2018 — Death has been greedy this week, taking not only artists who have left their mark on cinema but others, too, who have made an impact on our culture overall. The week began with the passing on Monday of Ursula K....
Jun 24, 2009 — The following tribute to Sacha Vierny by Alain Resnais (pictured together above, Resnais left) was published in the October 2001 issue of Positif. It is based on an interview conducted by François Thomas and was translated for Criterion by Nicholas...
The Daily
Aug 8, 2022 — The new Senses of Cinema features a dossier on the director currently being feted in Melbourne.
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Sep 15, 2017 — “Harry Dean Stanton, the character actor with the world-weary face who carved out an exceptional career playing grizzled loners and colorful, offbeat characters in such films as Paris, Texas and Repo Man, has died.” The Hollywood Reporter’s Mike Barnes and...
Mar 1, 2017 — In his most seductive experiment with cinematic time, Richard Linklater wrestles with the joys and challenges of long-term intimacy.
Feb 25, 2025 — Misunderstood on release and mishandled by its distributor, this genuine cult classic opened the door to a radical new way of making films.
Jun 2, 2016 — Kings of the Road is the most “roadish” of Wenders’s road movies, a film about travel as a form of escape for two German men and the transitory bond they form along the way.
Aug 18, 2014 — The filmmaker and critic discuss the pleasures and provocations of the Spanish auteur’s work.