The Criterion Collection
The Daily
May 22, 2017 — “Michael Haneke is back to many of his old tricks in Happy End, which enfolds the child psychopathy of Benny’s Video, the bourgeois nightmare of Hidden, the euthanasia theme of Amour, and the racial discomfort of Code Unknown into a...
Aug 11, 2008 — Every Guy Maddin movie creates the illusion of a secret history. His willfully primitive cut-rate spectacles seem like artifacts, reanimated bits of cultural detritus, but also like hauntings, the return of the cinematic repressed. From the start, Maddin’s sensibility was...
The Daily
Nov 11, 2019 — This month we’re reading about the women (and men) of Hollywood, weighing arguments from all corners, and picking up an overlooked novel.
Jun 28, 2022 — Part rom-com, part existential meditation, the final installment in Joachim Trier’s Oslo trilogy dignifies the fluctuating desires of a woman on the cusp of thirty.
May 21, 2019 — Claire Denis’s Let the Sunshine In (2017) is one of the great films about middle-aged loneliness, specifically—though not exclusively—as women feel it. It’s not a dating movie, though there’s dating in it. And it’s not a feeling-sorry-for-oneself movie, though there are...
Jul 24, 2014 — Everyday life gets a musical makeover in Jacques Demy’s tale of chance and love, a film of exquisitely sad happiness.
Jul 14, 2009 — Tough title to live up to. The lofty three-word phrase Al Reinert chose for his 1989 documentary on the Apollo space program comes from the plaque the first men on the moon, Neil Armstrong and Buzz Aldrin, left there in...
Jun 19, 2012 — Steven Soderbergh delivers a poignant psychological portrait of the late Spalding Gray in this deftly structured documentary.
The Daily
Oct 31, 2019 — A series of films by one of India’s greatest and most fiercely independent directors opens in New York.
Essays
Jun 16, 2014 — Georges Franju evokes the surreal silent serials of Louis Feuillade while constructing his own personal cinematic paradise.