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The Yellow Sequence

Jan 22, 2026 At once earnest and fantastic, carefree and mindful, G. Aravindan’s richly imagined work of folklore channels the director’s deep spiritual vision through the form of a children’s story.

Jun 16, 2020 Buster Keaton’s last great film, The Cameraman (1928), is his love letter to the machine that makes movies possible. He plays a humble street photographer who is smitten with a pretty secretary and follows her back to the newsreel office...

Jun 27, 2019 Sergei Bondarchuk pulled out all the stops to bring Tolstoy’s sprawling vision to the screen, and the result remains one of the most extravagant epic films of all time.

Oct 9, 2018 In a world vulnerable to authoritarianism, Rainer Werner Fassbinder’s television epic stands as an example of how an artist can speak to a broad audience about revolutionary politics.

Nov 12, 2019 The Daytrippers came out in theaters in 1997, back when I was in graduate school at NYU. That was a year when you could rent videotapes everywhere—at Blockbuster, but also at a Laundromat or a bodega. There were still phone booths...

Dec 17, 2019 She worked with Rivette, Fassbinder, and Visconti, but of course, any discussion of her illustrious career will always circle back to Godard.

Feb 1, 2022 Douglas Sirk’s 1956 masterpiece is a visceral tragedy that lays bare the spiritual malaise of the ruling class.

Feb 28, 2023 In his directorial debut, Robert Townsend channeled his frustrations with the typecasting of Black actors, resulting in a satire whose hilarious critique of Hollywood still resonates today.

Oct 14, 2020 The first raves are in, but we’ll have to wait until Christmas Day to see it.

Aug 3, 2020 The first European box-office success of the movement dubbed the New German Cinema, Volker Schlöndorff and Margarethe von Trotta’s 1975 The Lost Honor of Katharina Blum took on a hot-button issue: the paranoia provoked by homegrown terrorism and the opportunity that...

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