The Criterion Collection
The Daily
Aug 13, 2021 — This week we’re reading about the first and second waves of noir and taking a good look at a smartly dressed man.
Essays
May 30, 2023 — What makes Thelma & Louise truly a film for women, despite the fact that it was directed by a man, are its stars, Geena Davis and Susan Sarandon, who imbue their iconic performances with tender, unwavering specificity.
Mar 12, 2013 — Working in America, German master Fritz Lang contributed to the anti-Nazi effort with this nightmarish, surreal tale of espionage.
Sep 10, 2024 — Andrew Haigh explores loss and queer loneliness in this exquisite, twilit tangle of lives and loves separated by space, time, and personal defenses.
Jan 28, 2020 — Motherhood is a recurring subject in the films of Pedro Almodóvar. The mothers in his movies are fierce, passionate, and resourceful—often in varying combinations, and to varying extremes. In Almodóvar’s darkly satirical fourth feature, What Have I Done to Deserve...
The Daily
Jan 15, 2025 — Edward Berger’s improbably entertaining follow-up to All Quiet on the Western Front (2022) scores twelve.
The Daily
May 13, 2020 — Olivier Assayas, Sofia Coppola, and Paul Verhoeven have long-form serial narratives in the works.
The Daily
Aug 17, 2017 — Zhao Tao (Mountains May Depart) and Liao Fan (Black Coal, Thin Ice) are set to star in Jia Zhangke’s new film, Ash Is Purest White,” a project formerly known as “Money & Love,” reports Variety’s Elsa Keslassy. “An epic love...
The Daily
Apr 15, 2022 — This week we’re reading interviews with Mira Nair and Jane Schoenbrun, profiles of Viola Davis and Maggie Cheung, and an essay on Joan Micklin Silver.
Aug 20, 2001 — Director Torben Skjødt Jensen discusses the "three aesthetic levels" with which he approaches his documentary portrait.