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The Public Enemy

May 26, 2026 Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...

Jul 13, 2022 Stylistically informed by film noir, Martin Scorsese’s searing drama plumbs male violence and rage through a boxing champ’s self-destruction.

Mar 11, 2015 More than thirty years after his death in 1977, Roberto Rossellini is remembered by your average film buff as the father of Italian neo­realism (Rome, Open City, 1945; Paisan, 1946; Germany Year Zero, 1948) and of actress and model Isabella...

Jun 25, 2014 Hearts and Minds is the classic antiwar documentary film of the Vietnam era. It was released in 1974, one year after the United States withdrew its military forces from Vietnam and a year before North Vietnamese and National Liberation Front...

May 13, 2014 Few national cinemas have confronted the issue of preparedness for war with the creative vigor of England’s. Thorold Dickinson’s The Next of Kin (1942), Alberto Cavalcanti’s Went the Day Well? (1942, from a story by Graham Greene), and, of course,...

May 21, 2013 It’s tough to tell where reality ends and fiction begins in Haskell Wexler’s deft chronicle of a turbulent era.

Dec 7, 2010 This exploration of how technology alters its users was not only prophetic but a personal artistic breakthrough for David Cronenberg.

Nov 27, 2008 A genuine cause célèbre, adapted from Romain Gary’s 1970 nonfiction novel, Samuel Fuller’s late work is an unusually blunt and suggestively metaphoric account of American racism.

A Tale of Two Hiroshimas

On the Channel

May 3, 2018 Two of the earliest films to depict the bombing of Hiroshima show how politics shapes national mourning.

Mar 5, 2018 Along with 132 short films and a slew of masterclasses, installations, discussions, and other events, the Berlin International Film Festival presented 253 features this year. I managed to catch twenty-seven of them, and Adina Pintilie’s Touch Me Not, winner of...

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