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The Passion of the Christ

Jan 30, 2020 Check out what’s in store next month on our streaming service!

Mar 23, 2009 The most crowd-pleasing film of François Truffaut’s latter career is also one of his most personal, drawing from his memories of the German occupation of France, his schoolboy years and his lifelong infatuation with the creative arts.

Jul 21, 2008 A dreamy alternative to the standard notion of horror, Carl Theodor Dreyer’s phantasmal film reimagined the figure of the vampire.

Feb 5, 2018 New York. “Tonight, Anthology Film Archives continues its Documentarists for a Day series with a rare pairing of nonfiction offerings from Nagisa Oshima that reveal an introspective side to the famously outspoken political filmmaker,” writes Kazu Watanabe at Screen Slate....

Feb 2, 2018 New York. First, we look past the new few days with a few lineup announcements. EW’s Clark Collis reports on Pacino’s Way, a retrospective of over twenty-five films, “the majority screening on 35 mm prints,” that will run at the...

Jan 8, 2018 New York. “If the promise of canonical film school heartthrobs—among them Marcello Mastroianni, Ugo Tognazzi, and Michel Piccoli—gorging and fucking themselves to death in a provincial villa sets your heart a-racing, close that incognito tab and treat yourself to La...

#Bergman100

The Daily

Jan 3, 2018 Ingmar Bergman was born on July 14, 1918, and exhibitions and film series celebrating the hundredth anniversary are already underway. Update, 1/5: Ingmar Bergman’s Cinema, a Janus Films retrospective of twenty-four works, will open at New York’s Film Forum on...

Dec 12, 2017 Before turning to the cities, we have a bit of festival news. The Locarno Festival, whose seventy-first edition will run from August 1 through 11, has announced that its “major Retrospective will be dedicated to three-time Oscar winner Leo McCarey...

Jun 19, 2013 Disorienting, brutal, and bloody beautiful, František Vláčil’s epic is a dark medieval vision teeming with cinematic invention.

Jul 21, 2008 Carl Theodor Dreyer’s elliptical and dreamlike vampire film defies definitive shots at interpretation.

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