The Man Who Left His Will on Film

Feb 9, 2023 — New York’s Metrograph presents a series of films Rainer has called “autobiographical fictions, untrue confessions.”

Jan 22, 2021 — Terence Davies, Joanna Hogg, Noah Baumbach, Bertrand Bonello, and Im Sang-soo have projects in the works.

Jan 31, 2020 — This week: Scorsese’s actresses, Paul Schrader’s plans, Lynne Sachs on Godard, Ritwik Ghatak’s rising reputation, and Bong Joon-ho everywhere.

Jul 25, 2018 — And Orson Welles’s The Other Side of the Wind will finally see the light of day.

May 21, 2007 — Carol Reed’s masterpiece dives deep into the life and mind of screenwriter Graham Greene, one of Britain’s greatest postwar novelist.

Apr 25, 2005 — Andrzej Wajda’s first feature film marks the beginning of the Polish School, the paradigm of Polish cinema that arose from the political and cultural thaw of the mid-1950s.

Apr 27, 2016 — In Phoenix, Christian Petzold sets his nuanced melodrama of postwar German-Jewish identity within a starkly realist aesthetic, making newly fascinating use of his enduring interest in the tensions between the real and the artificial.

Feb 28, 2014 — Other first films exude the sparkling joy of filmmaking that one feels in Breathless, but how many can boast its sure-handedness?

Jun 21, 2011 — Chains: Bound for Glory Film history is replete with artists embraced by critics but misunderstood by the public. For Italian filmmaker Raffaello Matarazzo, it was the opposite. After working for almost two decades as a midlevel studio director of pictures...

Feb 22, 2011 — It wasn’t intended. No one could have predicted it. But Sweet Smell of Success turned out to be a terminus where several movie genres and subgenres converged and curdled, producing a uniquely delicious perfume of everlasting cynicism. Inhale deeply. And...