The Criterion Collection
Jun 25, 2012 — For this Edinburgh-based writer and filmmaker, Hitchcock’s Scottish caper is both fantasy and reality.
Feb 19, 2026 — Though in many ways the quintessential company man, the director brought an intimate understanding of the margins of American society to the films he made for Warner Bros. in the 1930s.
Essays
Jul 1, 2025 — Made nearly two decades into Fritz Lang’s Hollywood career, this brutal noir is designed for maximum velocity and impact, eschewing the director’s accustomed flourishes in favor of a stark literalness.
Aug 18, 2010 — Before Marcel Camus’ Black Orpheus showed up on American and European screens in 1959, what would later be known as the “art film” came in only a few shades of glum: Bergmanesque existentialism, Japanese samurai tragedy, stories of Italian peasant...
Features
Jun 4, 2019 — The great Hollywood portrait photographs are like close-ups that never end. Cinema is an art of faces, and the chance to gaze at them, to get lost in them, may be the deepest thrill movies offer. In the darkness of...
Mar 18, 2003 — Director William Dieterle’s 1941 film adaptation of Stephen Vincent Benét’s short story “The Devil and Daniel Webster” is a melodramatic fever dream, a hallucinatory tour de force.
On the Channel
Oct 30, 2020 — Channel Calendars With Thanksgiving around the corner, we’re grateful to the tireless preservationists who keep film history alive. Founded by Martin Scorsese in 1990, The Film Foundation has been an indispensable pillar of moving-image culture for the past three decades,...
Essays
Nov 25, 2013 — He massages, he gambles, and he’s great with a blade. Who is this blind swordsman, anyway?
Sep 28, 2021 — Melvin Van Peebles: Essential Films Come on now, honey sugarYou know your baby loveYou know just the other dayI was gonna take you to go see a movieSweet Sweetback . . . Stevie Wonder, “Sweet Little Girl,” 1972 We went...