The Criterion Collection
The Daily
Dec 15, 2017 — The International Film Festival Rotterdam has been rolling out the lineup for its 2018 edition (January 24 through February 4) in quick spurts over the past few weeks, and it’s far from complete. But there’s already more than enough to...
The Daily
Aug 20, 2017 — “Jerry Lewis, the brash slapstick comic who teamed with Dean Martin in the 1950s and later starred in The Nutty Professor and The Bellboy before launching the Muscular Dystrophy telethon, has died,” report Richard Natale and Carmel Dagan for Variety....
Essays
Jul 18, 2017 — During a period of personal turmoil, Andrei Tarkovsky created this enigmatic masterpiece, which explores spiritual and metaphysical mysteries through the prism of a science-fiction epic.
May 27, 2017 — Today’s journey back through Cannes history takes me to the festival’s fifty-ninth edition, when Ken Loach won the Palme d’Or for The Wind That Shakes the Barley—a film currently playing in a limited engagement on the Criterion Channel at FilmStruck....
Nov 17, 2015 — Satyajit Ray began his filmmaking career by offering a vision of the young Apu, the character he would go on to follow throughout the three films of his stunning breakthrough epic.
Aug 13, 2007 — Cría cuervos . . . , Carlos Saura's political and psychological masterpiece, was shot in the summer of 1975, as Spanish dictator Francisco Franco lay dying, and premiered in Madrid's Conde Duque Theatre, on January 26, 1976, forty years after...
Oct 16, 2006 — Screenwriter Carlos Cuarón delves into the character played by Claudia Ramírez
Essays
Mar 15, 2004 — This Japanese classic’s guiding passion is hunger, and its central image—a gaping black hole in the earth—is that of an all-consuming maw.
Essays
May 27, 2020 — “A filmmaker shows what his career will be in his first 150 feet of film,” François Truffaut once wrote. He was talking about Jean Vigo at the time, but he might as well have been talking about Martin Scorsese, whose...
Features
Jul 25, 2019 — My first three films—Angela, Personal Velocity, and The Ballad of Jack and Rose—are all mysteries of female identity, how it can be warped, destroyed, or saved, particularly in the context of family and sexual love. These films are highly charged...