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The Fin

Mar 30, 2021 Mike Leigh’s midcareer masterpiece is one of the finest examples of his ability to construct riveting drama from ordinary life.

May 11, 2017 Steve Gunn is regarded as one of the finest guitar players of our era. The Philadelphia native got off to an early start in high school punk bands before establishing himself as a player in different genres and touring internationally....

Feb 23, 2017 The week before Get Out opened to groundbreaking box-office success, we spoke with the director about the fine line between comedy and horror.

Jun 29, 2015 This work of hallucinatory lyricism was one of the final and freest expressions of the rule-flouting New Wave movement in Czechoslovakia.

Mar 31, 2015 After playing in hard-core and glam bands throughout the 1980s and ’90s, Queens-born singer-songwriter Jesse Malin released his first solo album, The Fine Art of Self Destruction, in 2002. He has since recorded six more records, including New York Before...

Dec 11, 2008 Technical director Lee Kline, just back from Paris, where he worked on Last Year at Marienbad with Alain Resnais, reports: I was a little nervous to show Alain Resnais our new transfer of Marienbad, but I pushed hard to have...

Oct 6, 2008 It is pretty much a convention of the hard-boiled gangster picture that most, if not all, of the principal characters wind up dead by the final shot. So it ought not constitute a “spoiler” to note that Jean-Pierre Melville’s Le...

Apr 19, 2004 “Floating weeds, drifting down the leisurely river of our lives,” has long been a favored metaphor in Japanese prose and poetry. This plant, the ukigusa (duckweed in English), floating aimlessly, carried by stronger currents, is seen as emblematic of our...

Nov 11, 2002 Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...

Pygmalion

Essays

Sep 18, 2000 Serving as codirector with Anthony Asquith, Leslie Howard found one of the finest roles of his career in this witty adaptation written by George Bernard Shaw.

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