The Criterion Collection
Essays
Sep 25, 2012 — No mere jigsaw movie, David Fincher’s thriller is also a nuanced character study, a satire of corporate culture, and a film about filmmaking.
Apr 3, 1989 — If the notion of “fiftes science-fiction films” conjures up pictures of scantily clad women defending their virtue against rubber-suited aliens, it is not for want of exceptions. MGM’s Forbidden Planet remains the most remarkable of these, a glossy, relatively high-budget...
Jul 26, 2019 — Brought to harrowing life in this film adaptation, George Orwell’s dystopian vision continues to ring true today. But so does his belief in the power of love and hope to overthrow the darkness.
Nov 12, 2007 — What is left of Berlin Alexanderplatz, this endless canon of the sublime and the trivial, is thus a perpetuum mobile of the human dance of love and death.
On the Channel
May 13, 2024 — Among this month’s highlights are a bustling summer barbecue of amply peopled movies full of unforgettable performances, a collection of films with great synth soundtracks, and Adventures in Moviegoing with Paul Schrader.
Nov 17, 2021 — Decades after Peter Lorre’s knife-toting creep Hans Beckert prowled the Berlin streets in search of little girls in Fritz Lang’s M (1931); after Robert Mitchum’s silver-tongued Harry Powell cut down all the “smooth and curly-haired things” he could get his...
Sneak Peeks
Jul 16, 2018 — In this outtake from an interview with Shangkuan Ling-fung, the Taiwanese wuxia icon gets nostalgic about her encounters with Bruce Lee.
Aug 14, 2006 — The appearance of Eric Rohmer’s Six Moral Tales in the midst of the sixties’ sexual revolution brought unexpected sobriety to the European sexual drama and the comedy of erotic manners. Their stateside popularity successfully challenged the sauciness and candor audiences were...
Essays
Jan 31, 2005 — With this early work, Bernardo Bertolucci confidently demonstrated the instinctive lyricism and sensuality that in his maturity would become his very own signature.
Essays
Feb 11, 2015 — With its provocative ambiguities, tender compassion, and fragmented editing style, this supernatural classic is a pure dose of Nicolas Roeg.