The Eye

Oct 7, 2024 — The winner of the Grand Prix in Cannes is a portrait of three women in Mumbai—and at a crossroads in their lives.

Sep 24, 2024 — Emerging out of the mass death, cultural ferment, and semiotic tumult of the 1990s, this trio of deliriously profane films glares at American youth culture and gives zero shits if it looks back.

Sep 20, 2024 — With their virtuosic celebrations of death, giallo films reflect the air of paranoia and fear that haunted Italian society in the 1960s and ’70s, a period when the country was undergoing dramatic, violent changes.

Aug 13, 2024 — In films that elude categorization, the Ukrainian director developed a boldly experimental aesthetic that evokes her mercurial inner dialogue and the leaps and stutters of her imagination.

May 21, 2024 — The reviews are in for Caught by the Tides, Emilia Pérez, and The Substance.

Apr 25, 2024 — The American Cinematheque presents all six features, including the Los Angeles premiere of Eureka.

Apr 24, 2024 — This month brings a collection of Chantal Akerman’s writing, analyses of Ozu and Kubrick, and list of the best Hollywood books ever.

Apr 10, 2024 — Heading into its final weekend, the festival presents new work from Singapore, Serbia, Brazil, China, Iran, Georgia, and Taiwan.

Feb 28, 2024 — Amanda McBaine and Jesse Moss will be in the Show Me State to discuss their companion film to the prizewinning Boys State.

Jan 24, 2024 — Neon’s latest Sundance acquisition is a ghost story told by the ghost.