The Criterion Collection
Jul 23, 2024 — Chen Kaige’s sweeping epic chronicles the history of twentieth-century China through the story of two childhood friends, contrasting the unchanging traditions of their Beijing-opera milieu with the nation’s swift and turbulent transformation.
Jun 21, 2024 — Join us on Sunday, June 30, for the premiere; afterwards, Opus will stream exclusively on the Criterion Channel.
The Daily
Apr 26, 2024 — This week offers reflections on the work of Ryusuke Hamaguchi, Béla Tarr, Satyajit Ray, Philip Seymour Hoffman, and Joan Chen.
The Daily
Apr 24, 2023 — The freely accessible program notes feature essays by Adrian Martin, Peter von Bagh, and more.
Apr 5, 2023 — The composer, pop star, and occasional actor mastered a bafflingly wide range of styles and influences.
The Daily
Mar 17, 2022 — New restorations of the six films directed by the renowned actress will screen from coast to coast.
The Daily
Jan 17, 2019 — SXSW presents a program of 102 features and episodics, and the Berlinale’s competition and Special lineups are now complete.
Essays
Aug 18, 2011 — Stanley Kubrick’s labyrinthine 1956 heist flick The Killing—an exploded rethink of John Huston’s The Asphalt Jungle and eventual template for the narrative convolutions of Reservoir Dog—became an instant facet in the jewel that was film noir, even as it refracted...
Jan 11, 2009 — What happened when Bernardo Bertolucci went to see Stop Making Sense in Florence? Well, as he confessed to director Jonathan Demme, he not only loved the film but was also stunned by (and even a little envious of) the response...
Jun 30, 2008 — The novelist Mishima Yukio stepped behind the camera to adapt his own short story, which depicts the act of seppuku as a thing of beauty.