The Criterion Collection
Sep 17, 2019 — Fusing the melodrama of Douglas Sirk and the ballyhoo of William Castle, John Waters’ sixth feature, Polyester (1981), was a departure from the scrofulous 16 mm mode of production he had made his cult name plying to midnight-movie crowds in...
Apr 30, 2019 — With these twin monuments of Hong Kong action filmmaking, Jackie Chan catapulted to international stardom, perfecting a unique blend of athleticism and populism.
Essays
Jan 14, 2014 — Jules Dassin’s atmospheric, genre-defining heist thriller combines American virtuosity with French cool.
Essays
Aug 31, 2011 — City symphony or spa burlesque? Polemic or caprice? From the outset, even in his manifesto lecture “Towards a Social Cinema,” delivered to the Groupement des Spectateurs d’Avant-Garde at Paris’s Le Vieux-Colombier before what was only the second public screening of À propos...
Essays
Mar 10, 2003 — Vilgot Sjöman’s cultural-sexual sensation sparked much critical and popular mayhem, only to be consigned to nearly instantaneous oblivion.
Jul 8, 1991 — James Bond: “Do you expect me to talk?” Goldfinger: “No, Mr. Bond, I expect you to die!” Goldfinger, arguably the best of all the Bond films, features an outrageous plot with a very realistic sense of danger. The third James...
Essays
Oct 31, 1988 — This ingenious and entertaining crime thriller marks what its director Stanley Kubrick would like to think of as the real beginning of his career.
Mar 27, 2026 — The first documentary feature about the rock legends, Charlie Is My Darling captures the band as a group of consummate musicians coming into their fame, fully committed to their craft and enjoying one another’s company.
The Daily
Jan 30, 2025 — The next four days see the spotlights hit Frederick Wiseman, Jerry Schatzberg, Chantal Akerman, and more.
The Daily
Mar 7, 2024 — The Austin festival presents action-heavy Headliners, creepy Midnighters, and promising Competition contenders.