The Criterion Collection
Essays
Oct 30, 2014 — Tati’s witty visual comedy also functioned as satire of a rapidly modernizing postwar France.
Apr 12, 2011 — After Army of Shadows, Melville and I stayed in touch . . . One day, he announced: “I’m going to make a new film. You’re not composing the score for it; I’ve contacted Michel Legrand . . .” Of course, I was disappointed....
Features
Feb 2, 2011 — These tributes first appeared in the winter 2010 issue of Brick, a literary journal based in Toronto. They are posted here by permission of the authors. The photographs appear courtesy of Colleen Murphy. Colleen Murphy After we decided to...
Sep 22, 2009 — Something very heavy happened at Monterey last weekend. Those very odd three days began in Friday’s cool gray air as the first of the crowd began to circle through the booths of the fairground. The only word for it then...
Essays
Dec 31, 2000 — Those who felt that Scandinavian cinema had passed into retirement along with Ingmar Bergman should be startled by Insomnia. This immaculately constructed psychological thriller sets a benchmark for other Scandinavian directors to match, and is one of the most unusual...
The Daily
Apr 9, 2024 — In Steven Zaillian’s eight-episode series, Andrew Scott gives us what many find to be the definitive Tom Ripley.
The Daily
Nov 9, 2023 — The subtitle of the series Yasmina Price has programmed for BAM: Cinema, Surrealism, Marxism.
On the Channel
Apr 20, 2023 — This month’s highlights include tributes to Jennifer Jason Leigh and Seijun Suzuki and a collection of Asian American films from the 1980s.
The Daily
Jan 9, 2023 — We gather some of the best recent writing on the National Society of Film Critics’s choices for the best films of 2022.
Sep 28, 2022 — A long-obscure landmark of the Iranian New Wave, Mohammad Reza Aslani’s daringly ambiguous portrait of feudalism’s demise mirrors the revolutionary times in which it was made.