The Book of Life

Dec 11, 2017 — Over the weekend, the European Film Awards, the International Documentary Association’s IDA Awards, and the British Independent Film Awards were presented, and now, of course, we have the Golden Globe nominations. A good handful of critics’ organizations announced their picks...

Jan 16, 2017 — Jack Garfein’s no-holds-barred account of sexual assault and trauma captures the volatile sensibility of the Actors Studio.

Apr 18, 2011 — An Eagle for an Emperor, a Gyrfalcon for a King;   a Peregrine for a Prince, a Saker for a Knight, a Merlin for a Lady;   a Goshawk for a Yeoman, a Sparrowhawk for a Priest,   a Musket...

Aug 25, 2021 — Nancy wrote a book about Kiarostami and Denis drew inspiration from the late philosopher’s work.

Oct 14, 2014 — What happens offscreen is as important as what’s on- in John Ford’s subtle, elegiac take on the Wyatt Earp–Doc Holliday story.

Feb 18, 2021 — We’re reading about Visconti, Fellini, Tom Stoppard, Eartha Kitt, and Anton Walbrook.

Feb 12, 2018 — In “Twin Peaks: The Return, or What Isn’t Cinema?,” a four-part essay at Reverse Shot, Nick Pinkerton first stakes out a position. Referring to one of Marcel Duchamp’s most famous pieces, he writes: “For a hundred years now it’s been...

Jan 2, 2018 — New York. “Starting in the mid-1960s, Michelangelo Antonioni became what the German essayist Hans Magnus Enzensberger would call a ‘tourist of the revolution,’” writes J. Hoberman in the New York Times. “Antonioni left Italy to make Blow-Up (1966) in swinging...

Oct 5, 2017 — “When you make a movie called Spielberg,” begins Mike Hale in the New York Times, “and its subject agrees to sit for what turns out to be thirty hours of interviews—and his sisters sit down with you, as do his...

May 6, 2016 — The distinctive musician and composer discusses his instinctive approach to composition and the value of a total immersion into a film’s world.