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The Audition

Apr 22, 2026 “The wig has a name. The wig’s name is Pam.”I was not even a little surprised to hear that Dallas-born filmmaker Ja’Tovia Gary had given a name to the bouncy brown bob she wears in her film The Giverny Document...

More to Come

The Daily

May 30, 2025 The week wraps with an overlooked gem starring Jamie Lee Curtis, a new issue of Cineaste, and conversations with Lisa Lu and Takashi Miike.

Feb 29, 2024 Film Forum presents two-week series featuring two dozen films, many of them screening from rare 35 mm prints.

Mar 31, 2020 Everybody loves Show Boat, but where is the love for the woman whose name alone sits above the title in James Whale’s dazzling 1936 film version? Edna Ferber was a best-selling novelist for decades, and in her peak years also...

Jan 7, 2020 Understudies everywhere should take heart at the tale of Katharine Hepburn’s long history with the role of Linda Seton, the high-spirited but reclusive heiress she plays in George Cukor’s 1938 Holiday. When the Philip Barry play the film is based...

Oct 30, 2015 The following interview was originally published in the 2005 edition of filmmaker and writer Chris Rodley’s book Lynch on Lynch. The interviews included in the book were conducted by Rodley between 1993 and 2005. For Criterion’s release of Mulholland Dr.,...

Oct 15, 2019 After breaking through in Medium Cool, Forster floundered until Quentin Tarantino plucked him from undeserved obscurity nearly thirty years later.

Feb 7, 2018 New York. The Tribeca Film Festival has announced that its seventeenth edition will open on April 18 with the world premiere of Lisa D’Apolito’s Love, Gilda, a portrait of Gilda Radner, who “captivated millions of television viewers as an original...

Loving Lola

Essays

Feb 9, 2010 You can’t keep a good woman, or a great movie about a good woman, down. By all accounts, goodness in the real Lola Montez reflected the vagaries of character, not talent. She was, as Cosmo Brown says of Lina Lamont...

Mar 8, 2016 Paris Belongs to Us marked the genesis of Jacques Rivette’s unique filmmaking style—introducing visual and narrative elements that Rivette would build on over the course of his long career.

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