The Criterion Collection
Nov 19, 2007 — Akira Kurosawa explores criminal machismo in his seventh film, which he felt was his official breakthrough in Japanese cinema.
Essays
Feb 11, 2002 — The phenomenon of old age wherein childhood memories return with ever-increasing clarity while great stretches of the prime of life vanish into obscurity is the nub of Ingmar Bergman’s drama.
Mar 21, 2012 — The famed collaboration between director Mikhail Kalatozov and cinematographer Sergei Urusevsky, which, with its distinctive combination of effective melodrama and a wild, powerful visual style, helped make Kalatozov the most successful Soviet cinematic export of his generation, in fact spanned...
Mar 24, 2025 — At the turn of the millennium, a loose collective of filmmakers—including Lars von Trier and Thomas Vinterberg—made a splash with a provocative manifesto and a wave of audacious movies shot on digital video.
May 9, 2024 — With his new film slated to premiere in Cannes, Rasoulof faces his harshest sentence yet.
The Daily
Dec 6, 2017 — David Lynch and Mark Frost’s Twin Peaks: The Return has not only been voted up to the #2 slot in Sight & Sound’s “best films of 2017” poll of 188 international critics and curators, it’s also come out on the...
The Daily
Jul 20, 2017 — This year’s Il Cinema Ritrovato wrapped nearly three weeks ago now, and it’s the kind of festival that has attendees reflecting on each edition months and undoubtedly years down the line. Three especially notable pieces have appeared in just the...
Nov 13, 2012 — Rejecting the orientalism of other adaptations, Pier Paolo Pasolini’s take on the classic tales is humane and erotic.
Essays
May 25, 2012 — The following article by the filmmaker himself originally appeared in the German newspaper Die Filmwoche on May 20, 1931.
Essays
Mar 15, 2004 — This Japanese classic’s guiding passion is hunger, and its central image—a gaping black hole in the earth—is that of an all-consuming maw.