The Criterion Collection
Aug 18, 2008 — This modest-scale psychological drama by Michael Powell and Emeric Pressburger follows an explosives expert with a drinking problem who harbors a great deal of bitterness.
Aug 13, 2007 — Samuel Fuller knew how to handle a gun from his army days, and this experience colored all of his filmmaking, which he began at the age of thirty-six.
Essays
Mar 27, 2006 — Louis Malle’s World War II–era drama follows a young collaborationist in rural France and asks how people with no interest in politics become active participants in brutal torture.
The Daily
May 27, 2026 — This year brought restorations of Ken Russell’s The Devils and docs on Vittorio De Sica, Chris Marker, David Lean, and Bruce Dern.
The Daily
Dec 10, 2021 — This week sees new issues from New York, Cineaste, Film Quarterly, and the Brooklyn Rail.
May 8, 2020 — The opening and closing credits in a film are a form of housekeeping, fulfilling a legal obligation to compile the names of cast and crew who made the final product possible. Visionary designer Saul Bass saw the aesthetic potential in...
The Daily
Jan 2, 2020 — Steven Spielberg, Sofia Coppola, Spike Lee, Wes Anderson, Chloé Zhao, and Joanna Hogg are among the many directors ready to roll out their latest features.
The Daily
Apr 10, 2018 — In the run-up to the release of Zama on Friday, the Film Society of Lincoln Center in New York is presenting a retrospective of work by Lucrecia Martel. Starting tonight and on through Friday, Martel will be there to either...
The Daily
Aug 2, 2017 — “Jonathan Demme loved people,” begins Matt Prigge, writing for Metro US. “There are villains in his movies—most notably that charming aesthete Hannibal Lecter, who loved people, too, only as food. And his biggest hits were about strife: the hunt for...
Essays
Jun 1, 2017 — Suffused with a quiet radiance, this Kazakh New Wave masterpiece grapples with cultural displacement through an allegorical tale of vengeance.