The Criterion Collection
Mar 18, 2025 — In what he described as his “first serious drama,” Charlie Chaplin channeled the influence of modernist literature, foreign cinema, and his European travels into a work of striking formal sophistication.
Feb 14, 2025 — The director of Down with Love talks about his favorite romantic comedies set in the great metropolis and looks back on the making of his own foray into the genre.
The Daily
Jan 23, 2025 — In the run-up to the forty-first edition, critics have been writing up lists of their most-anticipated films.
Jan 6, 2025 — Sunday night’s big winners include The Brutalist, Emilia Pérez, and Flow.
The Daily
Nov 8, 2024 — This week offers revivals of overlooked films by Antonioni and Alan Rudolph and conversations with Garrett Bradley and Paulo Branco.
Oct 24, 2024 — The director of such classic political docudramas as On the Bowery and Come Back, Africa defied the conventions of nonfiction filmmaking with his innovative approach to collaboration and performance.
Oct 8, 2024 — Though it received dismissive reviews upon its release, this chillingly nihilistic horror film has since influenced such masters as Alfred Hitchcock and Jacques Rivette with its low-budget evocation of anxiety and indeterminacy.
The Daily
Jul 29, 2024 — MoMA presents seven recent restorations, including films by Victor Sjöström, Howard Hawks, and Frank Borzage.
Jul 23, 2024 — Unlike the string of early-1980s sex comedies that it superficially resembles, Paul Brickman’s debut feature fuses fierce social satire and dark, dreamy eroticism with unexpectedly rich and ambiguous results.
On the Channel
Jul 17, 2024 — This month, we’re celebrating the expansive, archetype-exploding films of Paul Thomas Anderson, as well as the career of his frequent collaborator Philip Seymour Hoffman.