The Criterion Collection
Nov 21, 2019 — Every love affair requires a border crossing. The person you see across a crowded bar, or meet at a dinner party, or find on a dating app is another country altogether—maybe a nice place to visit, but do you really...
Mar 18, 2016 — The French filmmaker discussed revisiting the world of his breakthrough feature, his desire to communicate with a younger generation, and his signature cinematic flourishes.
Essays
Jul 21, 2008 — Carl Theodor Dreyer’s elliptical and dreamlike vampire film defies definitive shots at interpretation.
The Daily
Sep 3, 2018 — Here’s how the competition is shaping up so far.
Essays
May 4, 2018 — What do we mean when we say a narrative film is poetic? The answer lies in this visionary western from director Jim Jarmusch.
The Daily
Mar 2, 2026 — A New York retrospective offers Eyes Without a Face, naturally, but also rarely screened features and nonfiction shorts.
The Daily
May 20, 2025 — Cannes 2025: Sirāt and Two Prosecutors emerge as critical favorites, while Nouvelle Vague finds both champions and detractors.
Features
Oct 28, 2019 — One Scene In Nadav Lapid’s latest film, the award-winning Synonyms, a young man moves from Tel Aviv to Paris to make a clean break from his Israeli identity. This drastic attempt at self-reinvention is something that Lapid himself endeavored in his...
The Daily
Sep 24, 2017 — For the final issue in print of the Village Voice, Bilge Ebiri talks with Jonas Mekas, “the 94-year-old filmmaker, artist, critic, poet, photographer, cinema owner, and all-around underground impresario who transformed film criticism, filmmaking, and exhibition throughout the 1960s and...
Sep 1, 2017 — “British filmmaker Andrew Haigh (Weekend, 45 Years) hits the American highway for this touching, if slightly underwhelming, tale of a troubled boy who strikes up a rapport with an ailing racehorse called Lean on Pete,” begins Time Out’s Dave Calhoun....