The Criterion Collection
The Daily
Jan 18, 2018 — To Save and Project: The 15th MoMA International Festival of Film Preservation opens tonight with William K. Howard’s Transatlantic (1931; image above), “a pre-Code comedy firmly set during the golden age of ocean travel,” as Caroline Golum notes at Screen...
The Daily
Dec 12, 2017 — “Evil is ascendant,” begins Manohla Dargis in the New York Times. “The Resistance—an intrepid, multi-everything group whose leaders include a battle-tested woman warrior—has been fighting the good fight for years but is outnumbered and occasionally outmaneuvered. Yes, the latest Star...
Aug 18, 2017 — In this unsparing drama, Mike Leigh captures the grim mood of Thatcher’s England through the frustrations of a working-class London family.
The Daily
Jul 24, 2017 — In Issue 13 of Alphaville: Journal of Film and Screen Media, editors Loretta Goff and Caroline V. Schroeter “bring together eight articles from around the world that interrogate the representation of race, ethnicity and identity on screen.”Kenta McGrath writes about...
Jun 27, 2017 — Alfred Hitchcock brings a spirit of cinematic ingenuity to a thin narrative, resulting in a flawed but fascinating film that contains one of the most virtuosic sequences in his filmography.
Essays
May 30, 2017 — Lino Brocka brought an invigoratingly personal and socially conscious vision to Philippine cinema with this gritty portrait of Manila barrio life.
Apr 27, 2017 — In his latest film, director Daniel Raim explores the legacy of two Hollywood veterans whose highly influential six-decade career has long gone unsung.
Features
Apr 10, 2017 — An exhibition at New York’s Museum of the Moving Image explores Martin Scorsese’s creative process, his deep personal connection to his films, and his lifelong cinephilia.
May 1, 2015 — In his first feature, Jean-Pierre Melville found subtly radical ways to adapt Vercors's underground French novel about quiet resistance against the German occupation.
Oct 27, 2014 — Though he emerged from established stage and screen comedy traditions, Tati invented a completely new filmic language.