The Criterion Collection
Essays
Dec 9, 1991 — We used as much of the actual detail of physical things and of technique as we could possibly cram in, and as many players reflecting the endless variety of character and emotion of the real men as dramatization would allow.
The actor and writer selects two Bette Davis favorites, praises the divine insight of Defending Your Life, and shares what makes 12 Angry Men such an enduring classic.
The actor and director talks about the making of some of his favorite films, including Shampoo and The Awful Truth; praises the precision of No Country for Old Men; and shares how The Friends of Eddie Coyle has inspired his...
The writer and director selects a pair of feminist films by Dorothy Arzner, shares why Chantal Akerman and David Lynch are her filmmaking idols, and praises how Eric Rohmer’s Six Moral Tales portray complex dynamics between women and men.
The actor talks about My Darling Clementine and his newfound love of westerns, praises the timeless exploration of morality in 12 Angry Men, and looks back on auditioning for No Country for Old Men.
The singer and actor reflects on Marlon Riggs’s Tongues Untied and the importance of seeing Black queer men express themselves on-screen, talks about working with Regina King on One Night in Miami . . ., and selects favorites by Carl...
The host of the hit interview show Chicken Shop Date talks about Portrait of a Lady on Fire and being drawn to films with undeniable chemistry, praises 12 Angry Men as one of the greatest films of all time, and...
Widely revered as the Master of Suspense, the celebrated director revolutionized popular cinema with his psychosexual thrillers and meticulously plotted mysteries, which often feature icy blondes and macabre men.
The comedian, actor, and writer recalls wearing out videotapes of Mothra vs. Godzilla; praises Sound of Metal and its star, Riz Ahmed; and talks about the power and importance of seeing love between two Asian men depicted on-screen in Happy...
The writer-director talks about the Yasujiro Ozu classic that inspired his film Little Men, the underrated work of Francesco Rosi, the golden age of repertory cinema in New York City, and a college course in which he studied Shoah for...