The Criterion Collection
Jan 11, 1988 — In Young and Innocent (1937) Alfred Hitchcock uses all the signs in his visual vocabulary to tell one of his favorite stories: fugitive hero unjustly accused of murder. Yet this is also a story of youth and innocence triumphant—a light...
The Daily
Aug 21, 2024 — This month brings a new biography of Agnès Varda, collections from Phillip Lopate and Jonathan Rosenbaum, and some hefty coffee-table accessories.
Sep 28, 2022 — A long-obscure landmark of the Iranian New Wave, Mohammad Reza Aslani’s daringly ambiguous portrait of feudalism’s demise mirrors the revolutionary times in which it was made.
Nov 23, 2021 — The End In the end, it should not have come as any kind of surprise. When Alfred Hitchcock’s Vertigo dethroned Orson Welles’s Citizen Kane (1941) as the greatest film of all time in Sight & Sound magazine’s international poll of...
The Daily
Dec 10, 2020 — Twenty-four features from around the world offer a remedy for cabin fever.
The Daily
Aug 19, 2020 — The NYFF presents its Revivals program and Martin Scorsese sends a message of encouragement and appreciation to Il Cinema Ritrovato.
May 21, 2019 — Claire Denis’s Let the Sunshine In (2017) is one of the great films about middle-aged loneliness, specifically—though not exclusively—as women feel it. It’s not a dating movie, though there’s dating in it. And it’s not a feeling-sorry-for-oneself movie, though there are...
Oct 1, 2018 — A breathtaking, rarely screened vérité document encapsulates the social and aesthetic sea change that transformed France in the spring of 1968.
The Daily
Sep 28, 2018 — Elisabeth Moss steers a ’90s-era rock band towards self-immolation.